why we love this
Polyrhythmic fantasy at the crossroads of the natural and the artificial, with an aural background of softly undulating drones and tingling field recordings.
about the record
Jean-Baptiste Geoffroy continues his very singular exploration of the depths of sonic matter as Tachycardie.
'Autonomie Minérale' resulted from the alloying and balancing of the mechanical oscillation of a stone that is hit, stricken, and the electronic oscillation of a homemade synthesizer. No one can tell where synthesis starts and where sonic naturalism ends.
Tachycardie is therefore a game of chaos where chance looms large, as usual with the way things are, from the commonest to the most beautiful of all things. A stone like a windfall, somehow.
- 1 - Parties sud puis nord 6:56
- 2 - Gris de haute pression 3:34
- 3 - D'érosion 1:45
- 4 - Collision au sens strict 2:57
- 5 - Agité tandis que 5:30
- 6 - Jusque dans les conditions 4:07
- 7 - Sédiment meuble 6:07
€24,00
only 3 left
- 1 - Parties sud puis nord 6:56
- 2 - Gris de haute pression 3:34
- 3 - D'érosion 1:45
- 4 - Collision au sens strict 2:57
- 5 - Agité tandis que 5:30
- 6 - Jusque dans les conditions 4:07
- 7 - Sédiment meuble 6:07
why we love this
Polyrhythmic fantasy at the crossroads of the natural and the artificial, with an aural background of softly undulating drones and tingling field recordings.
about the record
Jean-Baptiste Geoffroy continues his very singular exploration of the depths of sonic matter as Tachycardie.
'Autonomie Minérale' resulted from the alloying and balancing of the mechanical oscillation of a stone that is hit, stricken, and the electronic oscillation of a homemade synthesizer. No one can tell where synthesis starts and where sonic naturalism ends.
Tachycardie is therefore a game of chaos where chance looms large, as usual with the way things are, from the commonest to the most beautiful of all things. A stone like a windfall, somehow.
