about the record
Jean-Baptiste Geoffroy continues his very singular exploration of the depths of sonic matter as Tachycardie.
'Autonomie Minérale' resulted from the alloying and balancing of the mechanical oscillation of a stone that is hit, stricken, and the electronic oscillation of a homemade synthesizer. No one can tell where synthesis starts and where sonic naturalism ends.
Tachycardie is therefore a game of chaos where chance looms large, as usual with the way things are, from the commonest to the most beautiful of all things. A stone like a windfall, somehow.
- 1 - Parties sud puis nord 6:56
- 2 - Gris de haute pression 3:34
- 3 - D'érosion 1:45
- 4 - Collision au sens strict 2:57
- 5 - Agité tandis que 5:30
- 6 - Jusque dans les conditions 4:07
- 7 - Sédiment meuble 6:07
€24,00
in stock
- 1 - Parties sud puis nord 6:56
- 2 - Gris de haute pression 3:34
- 3 - D'érosion 1:45
- 4 - Collision au sens strict 2:57
- 5 - Agité tandis que 5:30
- 6 - Jusque dans les conditions 4:07
- 7 - Sédiment meuble 6:07
about the record
Jean-Baptiste Geoffroy continues his very singular exploration of the depths of sonic matter as Tachycardie.
'Autonomie Minérale' resulted from the alloying and balancing of the mechanical oscillation of a stone that is hit, stricken, and the electronic oscillation of a homemade synthesizer. No one can tell where synthesis starts and where sonic naturalism ends.
Tachycardie is therefore a game of chaos where chance looms large, as usual with the way things are, from the commonest to the most beautiful of all things. A stone like a windfall, somehow.
