about the cassette
Jérémy Young's August Tape Sketches is a work of tonal collage rooted in the exercise of balancing improvisational haptics with focused restraint. It dwells in extended notions of time and space, with melodic fragments repeating and dissolving in intuitive fashion, allowing for a listening experience on the edge of logical musical information.
On this album, Young conjures up gently dissociated musical sketches that are soft-spoken yet far-reaching. The musical language used is that of electroacoustic composition, but Young fuses that with a perspective of instinct and benign distance. The definition of things on August Tape Sketches is not one of confrontation, but in the treatment of the sounds used lies its true nature, dreaming up a lullaby of concrete music.
- 1 - Untitled (For Ernst) 2:20
- 2 - Earlier Than Energy 4:47
- 3 - Untitled (For Kelly) 2:07
- 4 - Delphinium 11:01
- 5 - August 6:32
- 6 - Untitled (For Toma) 3:47
- 7 - Untitled (For Bloßfeldt 2:20
- 8 - Towards, An Edge 6:05
- 9 - Bloom/Wilt 3:26
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€13,00
only 2 left
- 1 - Untitled (For Ernst) 2:20
- 2 - Earlier Than Energy 4:47
- 3 - Untitled (For Kelly) 2:07
- 4 - Delphinium 11:01
- 5 - August 6:32
- 6 - Untitled (For Toma) 3:47
- 7 - Untitled (For Bloßfeldt 2:20
- 8 - Towards, An Edge 6:05
- 9 - Bloom/Wilt 3:26
Embed
Copy and paste this code to your site to embed.
about the cassette
Jérémy Young's August Tape Sketches is a work of tonal collage rooted in the exercise of balancing improvisational haptics with focused restraint. It dwells in extended notions of time and space, with melodic fragments repeating and dissolving in intuitive fashion, allowing for a listening experience on the edge of logical musical information.
On this album, Young conjures up gently dissociated musical sketches that are soft-spoken yet far-reaching. The musical language used is that of electroacoustic composition, but Young fuses that with a perspective of instinct and benign distance. The definition of things on August Tape Sketches is not one of confrontation, but in the treatment of the sounds used lies its true nature, dreaming up a lullaby of concrete music.