A Still From The Film is a sort of sister release of 2012’s Detachment. You can expect familiar warm and dark drones, mostly guitar-based. But this album is at the same time more abstract, and more accessible.
The A-side is one side-long track. Whereas many artists start out with a melody that degenerates into chaos, Karina ESP builds a subtle melody out of what starts as a vague mix of hiss, crackles and guitar sounds.
The B-side of the record is more straightforward, with a prominent role for Gowers’ vocals, which makes the album stand out far from his contemporaries.