why we love this
Lucid and dense, playful and exploratory. A sparkling landscape of comfort and ease, inviting you to make your presence welcome in it.
about the record
For 'Shelley’s on Zenn-La,' Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of 'Shelley’s,' and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants.
- 1 - Faraday Monument 2:41
- 2 - A Church 5:00
- 3 - Lime 1:34
- 4 - Charlev 8:28
- 5 - Norrin Radd Dreaming 5:29
- 6 - Cello Renoise 5:03
- 7 - Prairie 1:41
- 8 - Perfect Apple With Silver Mark 8:45
€20,00
in stock
- 1 - Faraday Monument 2:41
- 2 - A Church 5:00
- 3 - Lime 1:34
- 4 - Charlev 8:28
- 5 - Norrin Radd Dreaming 5:29
- 6 - Cello Renoise 5:03
- 7 - Prairie 1:41
- 8 - Perfect Apple With Silver Mark 8:45
why we love this
Lucid and dense, playful and exploratory. A sparkling landscape of comfort and ease, inviting you to make your presence welcome in it.
about the record
For 'Shelley’s on Zenn-La,' Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of 'Shelley’s,' and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants.
