Rimarimba | In The Woods


A playful walk in the forest.

A1 – Spafft Moutafft Seeall + California
A2 – In The Can
A3 – Firedance
A4/5 – Bamboo Link + Couldn’t Top The Demo
A6 – California + Saxes
A7 – Clearview
A8 – California + Bell
A9 – Gone To Hell In An Even Smaller Bucket
A10 – xit
A11 – He’s A Good Lad
B1 – Pacific
B2 – From 6 To 13
B3 – California + Guitars
B4 – Fitall Wall
B5 – Gone To Hell In The Smallest Bucket Of All
B6 – Few Parameters
B7 – Bamboo Duck
B8 – Hey! Almost Chinese Ain’t It?

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Somewhere out there around the turn of the 1980s, to the left of the post-punk crew, to the right of the minimalists, and surfacing with a friendlier face than the dour industrialists of the time – there existed, seemingly unbidden, an entire, networked, tape-trading community; a community that crossed continents and oceans, that relied on the postal service to do its bidding; a community full of humble visionaries and lost, misunderstood, or just plain ignored home steeped genius.

Rimarimba was the project of Robert Cox, based in Felixstowe, on the seaside in Suffolk, UK. Rimarimba was not Cox’s first entry into the world of recorded music, but was the first time he explored, most perceptively, the parameters of a particular musical mode: one where minimalism is removed from its “highart” mantle, Cox inveigling its practices in amongst the do-it-yourself creativity of a burgeoning and beguiling underground, letting the music breathe – and most importantly, letting it play, gifting it with imagination.”


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