Hier l'An 4000

28,00

only 3 left

why we love this

The steady percussive backdrop creates a continuity for flying elements of mystery and intrigue to illuminate the air.

about the record

Based upon the theme of reincarnation hypnosis and inspired by the writings of Donoso and Slauerhoff, 1940s SF drawings, sky burials and a fantasy of future music where savagery and sophistication meet, the band ventures here into reverse mesozoic exotica. Each piece leans on sampled hand percussion (by grace of the legendary Algerian percussionist Abdelmajid ‘Guem’ Guemguem), augmented by Brecht Ameel, Kim Delcour and David Poltrock’s trademark devotional approach on early music wind instruments and pre-digital keys and synthesizers, spiralling down into their own rabbit hole of repetition and changes.

As gorgeously illustrated by the contemporary British painter Nicholas William Johnson: whilst proposing a futuristic trance-like trek through magenta night skies, toxic radiations and a hostile flora, Razen has never sounded more ecstatic and disruptive.

  1. 1 - 09/11/3998 13:14
  2. 4 - 08/05/4004 9:08

Embed

Copy and paste this code to your site to embed.

Hier l'An 4000

28,00

only 3 left

  1. 1 - 09/11/3998 13:14
  2. 4 - 08/05/4004 9:08

Embed

Copy and paste this code to your site to embed.

why we love this

The steady percussive backdrop creates a continuity for flying elements of mystery and intrigue to illuminate the air.

about the record

Based upon the theme of reincarnation hypnosis and inspired by the writings of Donoso and Slauerhoff, 1940s SF drawings, sky burials and a fantasy of future music where savagery and sophistication meet, the band ventures here into reverse mesozoic exotica. Each piece leans on sampled hand percussion (by grace of the legendary Algerian percussionist Abdelmajid ‘Guem’ Guemguem), augmented by Brecht Ameel, Kim Delcour and David Poltrock’s trademark devotional approach on early music wind instruments and pre-digital keys and synthesizers, spiralling down into their own rabbit hole of repetition and changes.

As gorgeously illustrated by the contemporary British painter Nicholas William Johnson: whilst proposing a futuristic trance-like trek through magenta night skies, toxic radiations and a hostile flora, Razen has never sounded more ecstatic and disruptive.

fits in the mood

more by Hands In The Dark

see more

want to stay in the loop?

sign up for moody picks, inspiring interviews & more.


come say hi at gewad 34 ·
we ship worldwide from ghent