about the record
‘Shinkai’ heralds the first time Nicola Ratti has worked with a vocalist, and MA’s unique brand of ritualistic vocal methods and experimental approaches to intonation and inflexion only enhances Ratti’s otherworldly soundscapes.
On the surface this is an unlikely, yet inspired, collaboration – MA has been a part of the Tokyo Hip-Hop underground for many years, over which time he has stylistically leapt into noisier, more experimental territories. The depth of meaning behind MA’s lyrics further expands this sprawling sound world, revealing a twisted beauty, a deep insight into the melancholic world MA reflects upon within his abstract wordplay.
- 1 - Chavashila 4:12
- 2 - Hahakigi 4:02
- 3 - O 4:32
- 4 - Il giardino dei numeri 3:38
- 5 - Yomi 5:16
- 6 - Quado 4:10
- 7 - l'albero degli spilli 3:36
- 8 - Suiso 5:14
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€21,00
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- 1 - Chavashila 4:12
- 2 - Hahakigi 4:02
- 3 - O 4:32
- 4 - Il giardino dei numeri 3:38
- 5 - Yomi 5:16
- 6 - Quado 4:10
- 7 - l'albero degli spilli 3:36
- 8 - Suiso 5:14
Embed
Copy and paste this code to your site to embed.
about the record
‘Shinkai’ heralds the first time Nicola Ratti has worked with a vocalist, and MA’s unique brand of ritualistic vocal methods and experimental approaches to intonation and inflexion only enhances Ratti’s otherworldly soundscapes.
On the surface this is an unlikely, yet inspired, collaboration – MA has been a part of the Tokyo Hip-Hop underground for many years, over which time he has stylistically leapt into noisier, more experimental territories. The depth of meaning behind MA’s lyrics further expands this sprawling sound world, revealing a twisted beauty, a deep insight into the melancholic world MA reflects upon within his abstract wordplay.