about the record
Apophenia: the tendency to perceive connections and meaningfulness in random noise, e.g., clouds resembling animals or human faces.
Ale Hop’s APOPHENIA suggests possible and reimagined South American geographies. Along with atomized field recordings and sound samples she recollected from video archives from her homeland, Peru, the composer interweaves unknown territories by mimicking mountains and oceans, but also grey skies and violent cities, with droning and shrieking textures of electric guitars mixed with spoken chatters and sizzles. The LP is accompanied by two black and white images from the Peruvian photographer Gihan Tubbeh that withhold the same poetic nature of the music through visual rhymes expressed on fragments of landscapes.
- 1 - Augury 4:00
- 2 - Side Effects 3:34
- 3 - El Beso 2:39
- 4 - Lima 6:54
- 5 - Onomatopoeia 4:04
- 6 - Puñales 3:29
- 7 - Apophenia (Cielo Azul) 4:44
- 8 - Marches 4:19
€24,00
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- 1 - Augury 4:00
- 2 - Side Effects 3:34
- 3 - El Beso 2:39
- 4 - Lima 6:54
- 5 - Onomatopoeia 4:04
- 6 - Puñales 3:29
- 7 - Apophenia (Cielo Azul) 4:44
- 8 - Marches 4:19
about the record
Apophenia: the tendency to perceive connections and meaningfulness in random noise, e.g., clouds resembling animals or human faces.
Ale Hop’s APOPHENIA suggests possible and reimagined South American geographies. Along with atomized field recordings and sound samples she recollected from video archives from her homeland, Peru, the composer interweaves unknown territories by mimicking mountains and oceans, but also grey skies and violent cities, with droning and shrieking textures of electric guitars mixed with spoken chatters and sizzles. The LP is accompanied by two black and white images from the Peruvian photographer Gihan Tubbeh that withhold the same poetic nature of the music through visual rhymes expressed on fragments of landscapes.
