why we love this
Translated as "groundbreaking" or "excavation" in English, this record boldly departs from conventional norms, forging its own path as Niko-Matti Ahti explores electronic elements, lush yet intentionally dissonant orchestrations, and raw organic textures.
about the record
"Kaivajaiset" is Niko-Matti Ahti's first solo recording, initially conceived as an installation.
Exhibited in B-Galleria in Turku (2019) and 3H+K in Pori (2020), "Kaivajaiset" drew inspiration from The Diggers' 1649 pamphlet and Michel Foucault's extension of Friedrich Nietzsche’s concept of genealogy. The installation featured sounds, opinion pieces, a print copy of the pamphlet, and four cardboard collages.
This record serves as a summary of the installation's sounds, combining vivid foley and domestic recordings with oration and classical instrumentation to create an expansive, narrative, and thrilling composition.
- 1 - Kaivajaiset Part 1.1 2:56
- 2 - Kaivajaiset Part 1.2 6:46
- 3 - Kaivajaiset Part 1.3 6:51
- 4 - Kaivajaiset Part 1.4 2:34
- 5 - Kaivajaiset Part 2.1 6:15
- 6 - Kaivajaiset Part 2.2 5:45
- 7 - Kaivajaiset Part 2.3 1:45
- 8 - Kaivajaiset Part 2.4 3:12
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€30,00
in stock
- 1 - Kaivajaiset Part 1.1 2:56
- 2 - Kaivajaiset Part 1.2 6:46
- 3 - Kaivajaiset Part 1.3 6:51
- 4 - Kaivajaiset Part 1.4 2:34
- 5 - Kaivajaiset Part 2.1 6:15
- 6 - Kaivajaiset Part 2.2 5:45
- 7 - Kaivajaiset Part 2.3 1:45
- 8 - Kaivajaiset Part 2.4 3:12
Embed
Copy and paste this code to your site to embed.
why we love this
Translated as "groundbreaking" or "excavation" in English, this record boldly departs from conventional norms, forging its own path as Niko-Matti Ahti explores electronic elements, lush yet intentionally dissonant orchestrations, and raw organic textures.
about the record
"Kaivajaiset" is Niko-Matti Ahti's first solo recording, initially conceived as an installation.
Exhibited in B-Galleria in Turku (2019) and 3H+K in Pori (2020), "Kaivajaiset" drew inspiration from The Diggers' 1649 pamphlet and Michel Foucault's extension of Friedrich Nietzsche’s concept of genealogy. The installation featured sounds, opinion pieces, a print copy of the pamphlet, and four cardboard collages.
This record serves as a summary of the installation's sounds, combining vivid foley and domestic recordings with oration and classical instrumentation to create an expansive, narrative, and thrilling composition.