€29,00
only 3 left
why we love this
Venturing from long slow strikes of the cello to Caribbean drums spiced with computer-generated vocals and from re-imagined city conversations to live drum techno pieces, this is a true emotional rollercoaster as we call it. Even though the album holds so much variety in energy, Michael and Teddy somehow manage to create a consistent sound that magically makes sense.
about the record
Michael Beharie (New York) and Teddy Rankin-Parker (Chicago) first met while attending Oberlin College. Since graduating, Beharie and Rankin-Parker each veered into markedly different avenues. In addition to a consistent output of solo releases on NYC-label Astro Nautico, Beharie also joined up with the ever-confounding New York ensemble Zs (Northern Spy, The Social Registry, Troubleman Unlimited), performed on albums by Laurel Halo, Greg Fox & Colin Self, and is a regular composer for dance and film. Rankin-Parker became an in-demand cellist for his prowess in the work of improvisation, avant-garde music, and the more exploratory realms of indie pop, lending his talents to a wide array of bands and collaborators, such as Primus, Iron & Wine, Steve Reich, Pauline Oliveros, Glen Hansard, Father John Misty, International Contemporary Ensemble (ICE), Chicago Sinfonietta, and Nicole Mitchell's Black Earth Ensemble.
But after a decade of geographic distance, the duo came together to write and record its collaborative debut, A Heart From Your Shadow. Rather than jump into stream-of-concious improvisation, Beharie and Rankin-Parker chose to focus the album's themes via intricately composed pieces. The end result could be described as protest music, brimming with intense energy, harrowing anxiety, and steadfast optimism. All of this finished with a few hired hands: produced by Michael Beharie, mixed carefully by Jim O'Rourke and mastered by James Plotkin.
- A1 - Intro 2:00
- A2 - So Much Trash 2:00
- A3 - Paper Tiger 1:59
- A4 - Gully 2:00
- A5 - Smooth Face 1:53
- B1 - Fake Money 1:50
- B2 - Roses 2:05
- B3 - Promise 1:44
- B4 - Icon 1:59
- B5 - Petaluma 1:09
€29,00
only 3 left
- A1 - Intro 2:00
- A2 - So Much Trash 2:00
- A3 - Paper Tiger 1:59
- A4 - Gully 2:00
- A5 - Smooth Face 1:53
- B1 - Fake Money 1:50
- B2 - Roses 2:05
- B3 - Promise 1:44
- B4 - Icon 1:59
- B5 - Petaluma 1:09
why we love this
Venturing from long slow strikes of the cello to Caribbean drums spiced with computer-generated vocals and from re-imagined city conversations to live drum techno pieces, this is a true emotional rollercoaster as we call it. Even though the album holds so much variety in energy, Michael and Teddy somehow manage to create a consistent sound that magically makes sense.
about the record
Michael Beharie (New York) and Teddy Rankin-Parker (Chicago) first met while attending Oberlin College. Since graduating, Beharie and Rankin-Parker each veered into markedly different avenues. In addition to a consistent output of solo releases on NYC-label Astro Nautico, Beharie also joined up with the ever-confounding New York ensemble Zs (Northern Spy, The Social Registry, Troubleman Unlimited), performed on albums by Laurel Halo, Greg Fox & Colin Self, and is a regular composer for dance and film. Rankin-Parker became an in-demand cellist for his prowess in the work of improvisation, avant-garde music, and the more exploratory realms of indie pop, lending his talents to a wide array of bands and collaborators, such as Primus, Iron & Wine, Steve Reich, Pauline Oliveros, Glen Hansard, Father John Misty, International Contemporary Ensemble (ICE), Chicago Sinfonietta, and Nicole Mitchell's Black Earth Ensemble.
But after a decade of geographic distance, the duo came together to write and record its collaborative debut, A Heart From Your Shadow. Rather than jump into stream-of-concious improvisation, Beharie and Rankin-Parker chose to focus the album's themes via intricately composed pieces. The end result could be described as protest music, brimming with intense energy, harrowing anxiety, and steadfast optimism. All of this finished with a few hired hands: produced by Michael Beharie, mixed carefully by Jim O'Rourke and mastered by James Plotkin.
