why we love this
Syndrome Syndrome has an enticing sound with a relentless drive. A true adreline rush.
about the record
Syndrome Syndrome, the debut album from Gardland, fuses human flaw and scattershot intuition with volatile machinery and chance-based composition.
The double LP explores the rugged tropes of wasted, improvised techno while exhibiting a stark emotive core, eliciting timbral intensity and questing pathos in equal measure. Imposing and muscular yet marked by frenetic finesse, Syndrome Syndrome is born from a dyslexic dialogue between man and machine.
Syndrome Syndrome was written and recorded in a small room over a series of slavishly inspired sessions. Living within earshot of each other, Murray and Smith bucked the unconventional confab this comfort allows in favor of a workingman’s deftness. In the middle of this process, Gardland’s primary synthesizers were stolen at a gig. Impervious and industrious, the blank slate catalyzed their creative flow instead of stunting it, eventually filling to the frame with the eleven uneasy pieces of Syndrome Syndrome.
- A1 - Grrone 2:13
- A2 - Syndrome Syndrome 4:42
- A3 - Katarakt 5:37
- B1 - One In None 4:34
- B2 - Ode To Ode 6:12
- B3 - Trepan Heke 4:24
- C1 - Magicville 4:34
- C2 - Ride Wid Me 5:59
- C3 - Success In Circuit 4:16
- D1 - Nothing But Not Zero 6:24
- D2 - Hell Flur 4:30
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- A1 - Grrone 2:13
- A2 - Syndrome Syndrome 4:42
- A3 - Katarakt 5:37
- B1 - One In None 4:34
- B2 - Ode To Ode 6:12
- B3 - Trepan Heke 4:24
- C1 - Magicville 4:34
- C2 - Ride Wid Me 5:59
- C3 - Success In Circuit 4:16
- D1 - Nothing But Not Zero 6:24
- D2 - Hell Flur 4:30
why we love this
Syndrome Syndrome has an enticing sound with a relentless drive. A true adreline rush.
about the record
Syndrome Syndrome, the debut album from Gardland, fuses human flaw and scattershot intuition with volatile machinery and chance-based composition.
The double LP explores the rugged tropes of wasted, improvised techno while exhibiting a stark emotive core, eliciting timbral intensity and questing pathos in equal measure. Imposing and muscular yet marked by frenetic finesse, Syndrome Syndrome is born from a dyslexic dialogue between man and machine.
Syndrome Syndrome was written and recorded in a small room over a series of slavishly inspired sessions. Living within earshot of each other, Murray and Smith bucked the unconventional confab this comfort allows in favor of a workingman’s deftness. In the middle of this process, Gardland’s primary synthesizers were stolen at a gig. Impervious and industrious, the blank slate catalyzed their creative flow instead of stunting it, eventually filling to the frame with the eleven uneasy pieces of Syndrome Syndrome.
