€26,00
in stock
why we love this
Playful and noisy, but not devoid of a peculiar touch of sensitivity. Reiko Kudo’s album sounds as if it was recorded on a toy cassette player in bed. And it’s incredibly endearing.
about the record
'Rice Field Silently Riping In The Night' is Reiko Kudo's second album under her own name. It features Tori Kudo (Maher Shalal Hash Baz), Saya, and Takashi Ueno (Tenniscoats) on various instruments. The recordings took place in 2000 at Reiko's and Tori's house in the rural surroundings of Shikoku island.
All recorded music on this album sounds like it originates in a parallel dimension where time and key signatures simply don't exist. Some might describe this as outsider music, but this doesn't really begin to do justice to the quality of the tracks. There is nothing accidental or forced here. This is simply music created in a very different way.
- 1 - Kaihatsu-San 1:50
- 2 - My Brother 1:25
- 3 - Mihoko 2:50
- 4 - Lily 4:39
- 5 - Emi & Mrs Evans 1:34
- 6 - Mrs Wheeler 1:40
- 7 - Son of Man 3:38
- 8 - As You Wake Up In The Morning 1:32
- 9 - Together 2:10
- 10 - Consolation 1:26
- 11 - Rose 2:43
Embed
Copy and paste this code to your site to embed.
€26,00
in stock
- 1 - Kaihatsu-San 1:50
- 2 - My Brother 1:25
- 3 - Mihoko 2:50
- 4 - Lily 4:39
- 5 - Emi & Mrs Evans 1:34
- 6 - Mrs Wheeler 1:40
- 7 - Son of Man 3:38
- 8 - As You Wake Up In The Morning 1:32
- 9 - Together 2:10
- 10 - Consolation 1:26
- 11 - Rose 2:43
Embed
Copy and paste this code to your site to embed.
why we love this
Playful and noisy, but not devoid of a peculiar touch of sensitivity. Reiko Kudo’s album sounds as if it was recorded on a toy cassette player in bed. And it’s incredibly endearing.
about the record
'Rice Field Silently Riping In The Night' is Reiko Kudo's second album under her own name. It features Tori Kudo (Maher Shalal Hash Baz), Saya, and Takashi Ueno (Tenniscoats) on various instruments. The recordings took place in 2000 at Reiko's and Tori's house in the rural surroundings of Shikoku island.
All recorded music on this album sounds like it originates in a parallel dimension where time and key signatures simply don't exist. Some might describe this as outsider music, but this doesn't really begin to do justice to the quality of the tracks. There is nothing accidental or forced here. This is simply music created in a very different way.