why we love this
Glitchy rhythms and haunting melodies converge to shape an introspective atmosphere that is subtly eerie yet mesmerizingly beautiful, evoking waves of nostalgia and a hint of melancholy.
about the record
On their debut LP “Pome” for Quiet Time, Liai has given us a stunning work of expertly crafted rhythmic ambience, inspired by the intimacy and solitude of the midwestern countryside. Having grown up in rural Missouri, Liai channels the mixed feelings that can accompany solo contemplation in nature—expansiveness, sentimentality, vulnerability, and eeriness. This deeply personal set of tracks took three years to make, revealed in the precision of sound design and use of space. The work feels at once familiar and organic, yet technical and futuristic, almost alien—a product of digital melodies, granular processing, and frequent sampling of their own previous works.
- 1 - Imprince 7:13
- 2 - Errata ZZ 6:10
- 3 - Four Directions in Flowers 4:13
- 4 - Sunspilt Overand 4:12
- 5 - 8 Tresses 4:24
- 6 - Rebach 4:29
- 7 - A-A 2:10
- 8 - High Sign 5:30
€29,00
only 3 left
- 1 - Imprince 7:13
- 2 - Errata ZZ 6:10
- 3 - Four Directions in Flowers 4:13
- 4 - Sunspilt Overand 4:12
- 5 - 8 Tresses 4:24
- 6 - Rebach 4:29
- 7 - A-A 2:10
- 8 - High Sign 5:30
why we love this
Glitchy rhythms and haunting melodies converge to shape an introspective atmosphere that is subtly eerie yet mesmerizingly beautiful, evoking waves of nostalgia and a hint of melancholy.
about the record
On their debut LP “Pome” for Quiet Time, Liai has given us a stunning work of expertly crafted rhythmic ambience, inspired by the intimacy and solitude of the midwestern countryside. Having grown up in rural Missouri, Liai channels the mixed feelings that can accompany solo contemplation in nature—expansiveness, sentimentality, vulnerability, and eeriness. This deeply personal set of tracks took three years to make, revealed in the precision of sound design and use of space. The work feels at once familiar and organic, yet technical and futuristic, almost alien—a product of digital melodies, granular processing, and frequent sampling of their own previous works.
