Kara-Lis Coverdale
Aftertouches

37,00

only 2 left

why we love this

Ornate yet sombre. Otherworldly, yet poignantly human in its emotional grip.

about the record

Aftertouches playfully exploits the systemic nature of a post-sacred and post-instrument world, continuing Kara-Lis Coverdale’s exploration of coded realism and virtual transfiguration. Through an optimistic lens, Aftertouches explores and celebrates the multiple voices of the machine. Synthetic instruments sourced from VSTs, sound banks, and personal archives are arranged into holograms of dreams once inspired by physical origin. Through digital superimposition processes, instrument profiles mutate and take on new forms of articulation. Crystalline organs support and prop plastic voices and insistent water flutes dance with metallically chromatic snake-like motifs in vignettes of compositional schizophrenia. Absurd and delightful fusions seething through temporal portholes are unexpectedly swiped left, enveloped by dense clouds of lament and remembrance.

  1. 1 - Imgs /r 4:27
  2. 2 - Touch Me & Die 3:30
  3. 3 - Splash 144 3:32
  4. 4 - X 4EWI 5:20
  5. 5 - Ad_renaline 4:30
  6. 6 - Icon /c 3:53
  7. 7 - Arcane 5:23
  8. 8 - Nu_chanic 4:56
  9. 9 - Saps /h 4:32

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Copy and paste this code to your site to embed.

Kara-Lis Coverdale
Aftertouches

37,00

only 2 left

  1. 1 - Imgs /r 4:27
  2. 2 - Touch Me & Die 3:30
  3. 3 - Splash 144 3:32
  4. 4 - X 4EWI 5:20
  5. 5 - Ad_renaline 4:30
  6. 6 - Icon /c 3:53
  7. 7 - Arcane 5:23
  8. 8 - Nu_chanic 4:56
  9. 9 - Saps /h 4:32

Embed

Copy and paste this code to your site to embed.

why we love this

Ornate yet sombre. Otherworldly, yet poignantly human in its emotional grip.

about the record

Aftertouches playfully exploits the systemic nature of a post-sacred and post-instrument world, continuing Kara-Lis Coverdale’s exploration of coded realism and virtual transfiguration. Through an optimistic lens, Aftertouches explores and celebrates the multiple voices of the machine. Synthetic instruments sourced from VSTs, sound banks, and personal archives are arranged into holograms of dreams once inspired by physical origin. Through digital superimposition processes, instrument profiles mutate and take on new forms of articulation. Crystalline organs support and prop plastic voices and insistent water flutes dance with metallically chromatic snake-like motifs in vignettes of compositional schizophrenia. Absurd and delightful fusions seething through temporal portholes are unexpectedly swiped left, enveloped by dense clouds of lament and remembrance.

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