why we love this
Spiraling transmissions that incite curiosity and elicit awe.
about the record
A 480 is a collection of repetitive, process-oriented virtual signal process pieces rendered entirely in the digital sphere. The pieces consist of originally composed, data rendered sample sources.
A 480 are vocal pieces. All the sounds are sourced from the 'voice' and confront the nature of the voice in the age of data. The virtual choirs are convoluted versions of actual recorded singers that have been unpersonally sourced, downloaded, then disembodied, disfigured, and displaced over forty times, finally reappearing here through a convoluted process of digital reincarnation. Hopefully this work is not their final destination.
The voices are curationally divided into short loops of different lengths in an audio loop program and played at different speeds across 4 different channels. Slight temporal variations fade in and out over time in constant flux, occasionally pausing for immersion in a pulse chamber before it moves onto another. The length of the looped samples are adjusted one at a time— lengthened and shortened, and at times switched out altogether, to reveal how seemingly minute temporal variations have impactful effects on overarching rhythm, melody, and energy.
- A 480 2:40
- A 479 23:04
- A 478 4:52
- A 477 15:52
- A 476 2:05
€30,00
only 1 left
- A 480 2:40
- A 479 23:04
- A 478 4:52
- A 477 15:52
- A 476 2:05
why we love this
Spiraling transmissions that incite curiosity and elicit awe.
about the record
A 480 is a collection of repetitive, process-oriented virtual signal process pieces rendered entirely in the digital sphere. The pieces consist of originally composed, data rendered sample sources.
A 480 are vocal pieces. All the sounds are sourced from the 'voice' and confront the nature of the voice in the age of data. The virtual choirs are convoluted versions of actual recorded singers that have been unpersonally sourced, downloaded, then disembodied, disfigured, and displaced over forty times, finally reappearing here through a convoluted process of digital reincarnation. Hopefully this work is not their final destination.
The voices are curationally divided into short loops of different lengths in an audio loop program and played at different speeds across 4 different channels. Slight temporal variations fade in and out over time in constant flux, occasionally pausing for immersion in a pulse chamber before it moves onto another. The length of the looped samples are adjusted one at a time— lengthened and shortened, and at times switched out altogether, to reveal how seemingly minute temporal variations have impactful effects on overarching rhythm, melody, and energy.
