Psychic Stress Soundtracks

34,00

only 1 left

about the record

Joe Colley is a self taught artist concerned primarily with the phenomena of sound and it’s unique ability to activate a consciousness set apart from rational understanding in a way very different from visual or verbal means. This consuming interest has led to extensive experimentation with results occasionally made public through performances, installations, and commercially available recordings. These experiments have encompassed abstract electronic/noise composition, amplification of natural phenomena, investigations into phase, and creation of complex mass from layers of simplistic sound material, often exploring limits of audibility and equipment malfunction/misuse with special attention to the mundane or pathetic.

Growing up among the thrift stores and junk shops of California’s central valley, Colley has in recent years travelled widely making field recordings and performances. At various times he has worked in warehouses, long-term care facilities, porn shops, and as an art instructor with developmentally disabled adults and juvenile detention facility inmates.

  1. 1 - Future Screaming 7:05
  2. 3 - All Of Us Are Monsters And All Of Us Think The Others Are Monsters 18:18
  3. 4 - Melody Of Failure 12:20

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Psychic Stress Soundtracks

34,00

only 1 left

  1. 1 - Future Screaming 7:05
  2. 3 - All Of Us Are Monsters And All Of Us Think The Others Are Monsters 18:18
  3. 4 - Melody Of Failure 12:20

Embed

Copy and paste this code to your site to embed.

about the record

Joe Colley is a self taught artist concerned primarily with the phenomena of sound and it’s unique ability to activate a consciousness set apart from rational understanding in a way very different from visual or verbal means. This consuming interest has led to extensive experimentation with results occasionally made public through performances, installations, and commercially available recordings. These experiments have encompassed abstract electronic/noise composition, amplification of natural phenomena, investigations into phase, and creation of complex mass from layers of simplistic sound material, often exploring limits of audibility and equipment malfunction/misuse with special attention to the mundane or pathetic.

Growing up among the thrift stores and junk shops of California’s central valley, Colley has in recent years travelled widely making field recordings and performances. At various times he has worked in warehouses, long-term care facilities, porn shops, and as an art instructor with developmentally disabled adults and juvenile detention facility inmates.

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