Carmen Villain
Only Love From Now On

27,00

only 1 left

about the record

Only Love From Now On presents Norwegian-Mexican Carmen Villain’s aesthetic blossoming into something unexpected, benevolent in its composure and altogether luxuriant in its sensuality.

Listening to Only Love From Now On is simultaneously comforting and alluringly strange. Partly it’s the contributions of guests Arve Henriksen (trumpet, electronics) and Johanna Scheie Orellana (flutes). Partly it’s the fluidity between instruments. She calls the process a conversation with sound that occurs in her deliberate attempts to experiment with new methods, like granular synthesis, for her music-making.

Only Love From Now On is fueled by the sense of scale in feeling small in the face of things so large, the contemplation of how the biggest impact we can have is in the people close to us, the attempt to make sure that impact is a positive one, and the choice to try to focus on love instead of fear.

  1. 1 - Gestures (with Arve Henriksen) 7:39
  2. 2 - Future Memory 5:02
  3. 3 - Liminal Space 1:42
  4. 4 - Only Love From Now On 8:14
  5. 5 - Subtle Bodies 5:17
  6. 6 - Silueta 5:55
  7. 7 - Portals 4:21

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Carmen Villain
Only Love From Now On

27,00

only 1 left

  1. 1 - Gestures (with Arve Henriksen) 7:39
  2. 2 - Future Memory 5:02
  3. 3 - Liminal Space 1:42
  4. 4 - Only Love From Now On 8:14
  5. 5 - Subtle Bodies 5:17
  6. 6 - Silueta 5:55
  7. 7 - Portals 4:21

Embed

Copy and paste this code to your site to embed.

about the record

Only Love From Now On presents Norwegian-Mexican Carmen Villain’s aesthetic blossoming into something unexpected, benevolent in its composure and altogether luxuriant in its sensuality.

Listening to Only Love From Now On is simultaneously comforting and alluringly strange. Partly it’s the contributions of guests Arve Henriksen (trumpet, electronics) and Johanna Scheie Orellana (flutes). Partly it’s the fluidity between instruments. She calls the process a conversation with sound that occurs in her deliberate attempts to experiment with new methods, like granular synthesis, for her music-making.

Only Love From Now On is fueled by the sense of scale in feeling small in the face of things so large, the contemplation of how the biggest impact we can have is in the people close to us, the attempt to make sure that impact is a positive one, and the choice to try to focus on love instead of fear.

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