Seismograf

14,00

only 3 left

about the cassette

Arovane is the moniker of German-based composer and sound designer Uwe Zahn who’s working in the field of minimal electronica and experimental music.

In line with his recent body of work, Arovane bundled minimal compositions telling micro-narratives situating in the melodic realm of ambient music. On first sight, it seems common that one can enter or construct such stories through the melodies these compositions offer. However, melodies never stand on their own – maybe only theoretically – but in fact truly reveal their magic through the sonical context they’re embedded in. To Zahn, a crucial part of his practice is all about this latter notion: finding the sweet – and sometimes hidden – spots in sound design that allow him to express the narratives he wants to share. ‘Seismograf’ could be seen as an ode to this exploration and devoted to the practice of listening - to hear sounds that are otherwise inaudible.

  1. 1 - Seismograf 4:24
  2. 2 - Ask 1:59
  3. 3 - Flood 3:36
  4. 4 - Syline 5:29
  5. 5 - Clavnt 4:53
  6. 6 - September 1:06
  7. 7 - Alen 1:59
  8. 8 - Valley 2:36
  9. 9 - Echo 3:37
  10. 10 - Alen Uen 3:43
  11. 11 - Foam 2:55
  12. 12 - Endett 5:53
  13. 13 - Versatz 2:07

Embed

Copy and paste this code to your site to embed.

Seismograf

14,00

only 3 left

  1. 1 - Seismograf 4:24
  2. 2 - Ask 1:59
  3. 3 - Flood 3:36
  4. 4 - Syline 5:29
  5. 5 - Clavnt 4:53
  6. 6 - September 1:06
  7. 7 - Alen 1:59
  8. 8 - Valley 2:36
  9. 9 - Echo 3:37
  10. 10 - Alen Uen 3:43
  11. 11 - Foam 2:55
  12. 12 - Endett 5:53
  13. 13 - Versatz 2:07

Embed

Copy and paste this code to your site to embed.

about the cassette

Arovane is the moniker of German-based composer and sound designer Uwe Zahn who’s working in the field of minimal electronica and experimental music.

In line with his recent body of work, Arovane bundled minimal compositions telling micro-narratives situating in the melodic realm of ambient music. On first sight, it seems common that one can enter or construct such stories through the melodies these compositions offer. However, melodies never stand on their own – maybe only theoretically – but in fact truly reveal their magic through the sonical context they’re embedded in. To Zahn, a crucial part of his practice is all about this latter notion: finding the sweet – and sometimes hidden – spots in sound design that allow him to express the narratives he wants to share. ‘Seismograf’ could be seen as an ode to this exploration and devoted to the practice of listening - to hear sounds that are otherwise inaudible.

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