Alexandra Spence
a veil, the sea

10,45

in stock

why we love this

An ode to liquid substances, where water gains a language of its own – it screams, it laughs, it whispers. Immerse yourself and let it flow.

about the cassette

On a veil, the sea, Spence shares a reimagining of ocean strata that buoys and shifts the listener through sonic intimacies and expanses, to dreamt seabeds with distant sunlight, until you eventually find yourself adrift on some opalescent vessel, refreshed, journeyed and gently forewarned that our oceans are not infinite.

Alexandra Spence is a sound artist and musician living on unceded Wangal land in Sydney, Australia. Through her practice, Alexandra attempts to reimagine the intricate relationships between the listener, the object, and the surrounding environment as a kind of communion or conversation. Her aesthetic favours field recordings, analogue technologies, and object interventions. She holds the belief that electricity might actually be magic.

  1. 1 - a veil 14:49
  2. 2 - the sea 15:00

Embed

Copy and paste this code to your site to embed.

Alexandra Spence
a veil, the sea

10,45

in stock

  1. 1 - a veil 14:49
  2. 2 - the sea 15:00

Embed

Copy and paste this code to your site to embed.

why we love this

An ode to liquid substances, where water gains a language of its own – it screams, it laughs, it whispers. Immerse yourself and let it flow.

about the cassette

On a veil, the sea, Spence shares a reimagining of ocean strata that buoys and shifts the listener through sonic intimacies and expanses, to dreamt seabeds with distant sunlight, until you eventually find yourself adrift on some opalescent vessel, refreshed, journeyed and gently forewarned that our oceans are not infinite.

Alexandra Spence is a sound artist and musician living on unceded Wangal land in Sydney, Australia. Through her practice, Alexandra attempts to reimagine the intricate relationships between the listener, the object, and the surrounding environment as a kind of communion or conversation. Her aesthetic favours field recordings, analogue technologies, and object interventions. She holds the belief that electricity might actually be magic.

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