Emotional Music

23,00

only 2 left

about the record

R. Girardin – Emotional Music is a collaborative release from Palto Flats and Zero Grow, a contemporary rendering of synthetic midi-fusion and DAW experimentalism. Drawing links between Rashad Becker’s textured compositional approach and the multicultural electro-fetishism of Benjamin Lew, Emotional Music uses known palettes in non-traditional methods.

In Emotional Music we are treated to Girardin’s tooling of the synthesizer as a spiritual instrument, one where the typical motifs of musicality and style degrade in favor of poetic modulation matrices and breath controlled hopefuls. Synthesizers occupy a special place in sonic energy, dependent on electricity for physical sound creation, void of voice without human intellect and touch. Emotional Music is a synthesis of both the human and synthesizer’s expressive logics; one of internal architectures capable only through external inlets and outlets.

  1. 1 - Atrium Air 1:59
  2. 2 - Behind Shine 1:36
  3. 3 - Grown Man 1:54
  4. 4 - Cry 2:50
  5. 5 - Third Hut 2:50
  6. 6 - Nth 4:17
  7. 7 - Royal 2:47
  8. 8 - Splashed On 3:36
  9. 9 - Sunk 3:35
  10. 10 - Wave Rash 3:55

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Copy and paste this code to your site to embed.

Emotional Music

23,00

only 2 left

  1. 1 - Atrium Air 1:59
  2. 2 - Behind Shine 1:36
  3. 3 - Grown Man 1:54
  4. 4 - Cry 2:50
  5. 5 - Third Hut 2:50
  6. 6 - Nth 4:17
  7. 7 - Royal 2:47
  8. 8 - Splashed On 3:36
  9. 9 - Sunk 3:35
  10. 10 - Wave Rash 3:55

Embed

Copy and paste this code to your site to embed.

about the record

R. Girardin – Emotional Music is a collaborative release from Palto Flats and Zero Grow, a contemporary rendering of synthetic midi-fusion and DAW experimentalism. Drawing links between Rashad Becker’s textured compositional approach and the multicultural electro-fetishism of Benjamin Lew, Emotional Music uses known palettes in non-traditional methods.

In Emotional Music we are treated to Girardin’s tooling of the synthesizer as a spiritual instrument, one where the typical motifs of musicality and style degrade in favor of poetic modulation matrices and breath controlled hopefuls. Synthesizers occupy a special place in sonic energy, dependent on electricity for physical sound creation, void of voice without human intellect and touch. Emotional Music is a synthesis of both the human and synthesizer’s expressive logics; one of internal architectures capable only through external inlets and outlets.

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