Socialo Blanco

26,00

out of stock

why we love this

Combining old school synth sounds, reminiscent of 70s space funk, with African percussion and Scandinavian voices, Feater succeeds in making a timeless record with a unique mood.

about the record

Feater is helmed by Daniel Meuzard, hailing from Vienna and having made a name for himself as a trustworthy and skilled studio equipment dealer and working closely with producer and studio engineer Sam Irl, the man has a knack for turning yesterday into today.

His second album "Socialo Blanco" is the result of many magical and effortless sessions. The voice of Vilja Larjosto from Finland and Ghana’s Eric Owusu (Pat Thomas, Ebo Taylor) on percussion, spontaneously invited to the recording sessions by fellow Viennese Giuseppe Leonardi, are the icing on the cake.

  1. A1 - Orlandos 3:47
  2. A2 - Don Moneyiere 6:52
  3. A3 - Time Million 4:49
  4. B1 - Yogtze 3:51
  5. B2 - Socialo Blanco 4:39
  6. B3 - Endless Expansion Pt1 3:25
  7. B4 - Gold Matches 4:37
  8. B5 - Endless Expansions Pt2 3:15

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Socialo Blanco

26,00

out of stock

  1. A1 - Orlandos 3:47
  2. A2 - Don Moneyiere 6:52
  3. A3 - Time Million 4:49
  4. B1 - Yogtze 3:51
  5. B2 - Socialo Blanco 4:39
  6. B3 - Endless Expansion Pt1 3:25
  7. B4 - Gold Matches 4:37
  8. B5 - Endless Expansions Pt2 3:15

Embed

Copy and paste this code to your site to embed.

why we love this

Combining old school synth sounds, reminiscent of 70s space funk, with African percussion and Scandinavian voices, Feater succeeds in making a timeless record with a unique mood.

about the record

Feater is helmed by Daniel Meuzard, hailing from Vienna and having made a name for himself as a trustworthy and skilled studio equipment dealer and working closely with producer and studio engineer Sam Irl, the man has a knack for turning yesterday into today.

His second album "Socialo Blanco" is the result of many magical and effortless sessions. The voice of Vilja Larjosto from Finland and Ghana’s Eric Owusu (Pat Thomas, Ebo Taylor) on percussion, spontaneously invited to the recording sessions by fellow Viennese Giuseppe Leonardi, are the icing on the cake.

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