€28,00
in stock
why we love this
Not quite of the skies, not quite of the earth. This record is a reverie to the tune of quena flutes, field recordings, and synthesizers. Damian drafts a picturesque journey into a nebulous realm where sunrays dance in and out of cirrus and cumulus.
about the record
After his debut album, Happy Floating, in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with I Can Feel My Dreams. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz, and ambient influences, utilizing Andean quena flutes, synthesizers, and field recordings, once again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris, and Christian Balvig. A wistful haze runs throughout the album, and by the end, there’s both light and darkness with no need to choose.
- 1 - Ago 1:22
- 2 - Solo 3:58
- 3 - Santi 4:00
- 4 - Battery 3:23
- 5 - I Can Feel My Dreams 3:36
- 6 - Soup 1:12
- 7 - Acryl 2:54
- 8 - Domenica 4:01
- 9 - Memo 4:02
€28,00
in stock
- 1 - Ago 1:22
- 2 - Solo 3:58
- 3 - Santi 4:00
- 4 - Battery 3:23
- 5 - I Can Feel My Dreams 3:36
- 6 - Soup 1:12
- 7 - Acryl 2:54
- 8 - Domenica 4:01
- 9 - Memo 4:02
why we love this
Not quite of the skies, not quite of the earth. This record is a reverie to the tune of quena flutes, field recordings, and synthesizers. Damian drafts a picturesque journey into a nebulous realm where sunrays dance in and out of cirrus and cumulus.
about the record
After his debut album, Happy Floating, in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with I Can Feel My Dreams. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz, and ambient influences, utilizing Andean quena flutes, synthesizers, and field recordings, once again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris, and Christian Balvig. A wistful haze runs throughout the album, and by the end, there’s both light and darkness with no need to choose.
